![]() The New World Order was, at the time, one of the largest and best known wrestling factions. Latino World Order, however, was a parody which had already been in the works for months, and ended up in Eddie’s hands only because the original planned lead, Konnan, got offered other work. It is also true that Eddie Guerrero went to Bischoff looking to do more work, and Bischoff knocked over a coffee, which spilt on Eddie. Hall and other white wrestlers who dabbled in cultural appropriation dominated the market. WCW had, a few years earlier, hired Scott Hall, a white man from Maryland who had been playing Razor Ramon, a Cubano gangster modelled on Scarface. It is true that Latino wrestlers were underrepresented in the North American market. Eddie claimed that the disrespect Bischoff offered forced Eddie to form Latino World Order. The story goes that Bischoff threw coffee at Eddie. I’m going to focus on his roles in his birthplace: the USA, where he was able to work within and around white society’s biases against Mexican-Americans.ĭuring his time in World Championship Wrestling, Eddie Guerrero allegedly confronted Eric Bischoff, the company president, over Eddie and other Latino performers not being offered enough opportunities in the company – no main events or pay per view shows. In Mexico, he was part of a villainous faction called Los Gringos Locos – the Crazy Americans, where he wore red, white and blue and played up his birthplace. In Japan, he was Black Tiger, the masked enemy of anime hero Tiger Mask. The way Eddie Guerrero handled this in all his markets was to lean in. If you’re a black, Latino, or Asian wrestler in a North American wrestling ring, you fight against a majority white audience’s expectations as well as your opponents. Diversity has only recently arrived in wrestling, and only very inconsistently. There have, over the years, been many wrestlers claiming a race or nationality they weren’t – Abdullah the Sudanese Butcher was actually Lawrence Shreve from Ontario George Gray, a white man, played Akeem the African Dream for two years – because wrestling needs heels and it’s easy to make a heel who is other. Blackface, brownface and yellowface all happen in wrestling. The convenient shorthand of racial stereotypes have always had currency in wrestling. Wrestling is haunted and one of the things it’s haunted by is racism. ![]()
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This is particularly noticeable during those end of stage Armageddon moments, which seem significantly less impressive on the portable platform. The vast array of scattered voxels that underlined the marketing method for the original outing are still very much present here, though they’re nowhere near as plentiful as on the Japanese giant’s newer device. Once again, you’ll find yourself saving the last humans for points, purging all manner of geometric enemies with an increasingly potent laser gun and an entertainingly overpowered ultra move. We’ve joked about the release’s addictive qualities in the past, but this scribe finds himself penning this review with bleary eyes after a twilight session before bed turned into something of an all-nighter last evening. Well, perhaps the best thing that can be said about this cross-buy conversion is that it’s still amazing fun. The title’s oft-requested PlayStation Vita port – produced by Dead Nation: Apocalypse Edition developer Climax Studios – was always going to struggle to replicate the appeal of the original, then – but how close does it come? Its simplistic mechanics epitomise the very idea of pick-up-and-play, while its flashy visuals and smooth performance make it something of a showcase for Sony’s next-gen hardware. Great value free content too.Ĭons: The game still isn’t good at explaining itself, which can put off new players.Housemarque’s cylindrical shooter Resogun is still one of the major highlights in the PlayStation 4’s library. Pros: Both the new game modes are great, with Commando being a fun break from the norm and Protector arguably better than the standard play mode. In Short: An excellent expansion to what remains the PlayStation 4’s best exclusive, and one of the most enjoyable retro shooters of the decade. You might say that much of that is still owed to Defender, and the other ’80s coin-ops it riffs on, but the one thing Resogun proves is that a good game is a good game – no matter what its origins or age may be. We’d already heartily recommend Resogun to any PlayStation 4 owner (it’s also on PlayStation 3 and PS Vita but Defenders is not) but this final surge of content is just enough to push it over the line into true classic status. The new game world is by far the most visually interesting so far, with erupting volcanoes and more enemies on-screen than seems physically possible – especially as the game maintains a steady 60 frames per second throughout. You can also unlock the ability to carry more than one human at a time and gain automatic defences for the cities. The other change is simply that everything has been turned up to 11: your overdrive weapon and the speed boost now recharge much more quickly, and there are new ‘super’ versions of both to collect. The basics are the same as the main mode, but as well as rescuing humans you have to help build a base for them, and make sure new giant-sized enemies don’t knock it down. It’s Protector that’s the real star of the show though. Despite the fact that you’re a little neon-coloured human running and jumping along the ground the controls are still similar to the standard Resogun modes, and the whole thing works surprisingly well. The end result is more like a cross between Space Invaders and Missile Command than Defender, as you shoot up at descending spaceships and asteroids. It follows very much the same procedure as Heroes, not only in that it adds two new game modes but that one of them sticks fairly closely to the original gameplay and the other is a lot more experimental.Ĭommando is the weird one, in that it has you controlling an actual human (yes, he does have an Austrian accent), rather than the spaceship flying around trying to save them. Released at the same time though is Defenders, intended to be the last paid-for DLC for the game. ![]() ![]() Wrap-up on Software 133 Part III: Communications 135 8. Learning to Program 115 7.1 Programming Language Concepts 116 7.2 A First JavaScript Program 117 7.3 A Second JavaScript Program 119 7.4 Loops and Conditionals 120 7.5 JavaScript Libraries and Interfaces 122 7.6 How JavaScript Works 124 7.7 A First Python Program 124 7.8 A Second Python Program 126 7.9 Python Libraries and Interfaces 127 7.10 How Python Works 130 7.11 Summary 130 ![]() Software Systems 95 6.1 Operating Systems 96 6.2 How an Operating System Works 101 6.2.1 System calls 102 6.2.2 Device drivers 103 6.3 Other Operating Systems 103 6.4 File Systems 104 6.4.1 Secondary storage file systems 106 6.4.2 Removing files 108 6.4.3 Other file systems 109 6.5 Applications 110 6.6 Layers of Software 112 6.7 Summary 114 7. Programming and Programming Languages 73 5.1 Assembly Language 74 5.2 High-Level Languages 75 5.3 Software Development 81 5.3.1 Libraries, interfaces, and development kits 82 5.3.2 Bugs 84 5.4 Intellectual Property 86 5.4.1 Trade secret 86 5.4.2 Trademark 87 5.4.3 Copyright 87ĥ.4.4 Patent 88 5.4.5 Licenses 89 5.5 Standards 91 5.6 Open Source Software 92 5.7 Summary 93 6. Algorithms 59 4.1 Linear Algorithms 60 4.2 Binary Search 62 4.3 Sorting 63 4.4 Hard Problems and Complexity 67 4.5 Summary 70 5. Inside the Processor 39 3.1 The Toy Computer 40 3.1.1 The first Toy program 40 3.1.2 The second Toy program 42 3.1.3 Branch instructions 43 3.1.4 Representation in memory 45 3.2 Real Processors 46 3.3 Caching 48 3.4 Other Kinds of Computers 49 3.5 Summary 51 Wrap-up on Hardware 53 Part II: Software 55 4. Bits, Bytes, and Representation of Information 25 2.1 Analog versus Digital 25 2.2 Analog-Digital Conversion 27 2.2.1 Digitizing images 27 2.2.2 Digitizing sound 28 2.2.3 Digitizing movies 31 2.2.4 Digitizing text 31 2.3 Bits, Bytes, and Binary 32 2.3.1 Bits 33 2.3.2 Powers of two and powers of ten 34 2.3.3 Binary numbers 35 2.3.4 Bytes 36Ģ.4 Summary 38 3. What Is a Computer? 11 1.1 Logical Construction 13 1.1.1 Processor 14 1.1.2 Primary memory 15 1.1.3 Secondary storage 16 1.1.4 Et cetera 18 1.2 Physical Construction 18 1.3 Moore’s Law 22 1.4 Summary 23 2. Preface xi Introduction 1 Part I: Hardware 7 1. ![]() ![]() The publisher would like to acknowledge the author of this volume for providing the print-ready files from which this book was printed. This book has been composed in Times, Courier and Helvetica using groff, ghostscript, and other open source Unix tools. Requests for permission to reproduce material from this work should be sent to Published by Princeton University Press 41 William Street, Princeton, New Jersey 08540 6 Oxford Street, Woodstock, Oxfordshire OX20 1TR All Rights Reserved ISBN 978-9-7 ISBN (pbk.) 978-0-3 ISBN (e-book) 978-6-0 Version 1.0 British Library Cataloging-in-Publication Data is available. If you wish to reproduce or distribute any part of it in any form, please obtain permission. Thank you for supporting free speech and the global exchange of ideas by purchasing an authorized edition of this book. Copyright promotes the progress and integrity of knowledge. Princeton University Press Princeton and OxfordĬopyright © 2021 by Princeton University Press Princeton University Press is committed to the protection of copyright and the intellectual property our authors entrust to us. ![]() Understanding the Digital World What You Need to Know about Computers, the Internet, Privacy, and Security Second Edition Brian W. 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